To continue the story: in 1850, the cuckoo clock finally found the form in which it even today travels the world as the Black Forest’s envoy. Robert Gerwig, the founder of the Clockmakers’ School in Furtwangen, launched a sort of design competition at that time. The most successful design was by an architect, who shrank a signalman’s house, decorated it with ivy, added a clock face and put the bird in the attic. Incidentally, although the cuckoo clock is iconic for the region, it wasn’t the Black Forest’s most successful clock, but constituted maybe three to five percent of total production output. The lacquer plate clock, a flat wall clock with a brightly painted face, was the major export. It was produced in the 19th century and occasionally travelled as far as China. It was one of the first everyday clocks and was affordable even for average earners. The everyday clock also brought worldwide fame to Junghans. The Schramberg-based company began to manufacture alarm clocks in the late 1870s and proved so adept that it was the world’s largest clock manufacturer by around 1900. At its peak, the company was producing 9,000 clocks per day.
It isn’t just the alarm clocks that are famous; so is the production facility itself. In 1917, the Junghans Brothers constructed a step-shaped building with long narrow rooms and enormous windows, so that the precision mechanical work could be done with the best possible light. Although production ceased in this special building in 1970, Junghans as a company still exists today. The building, which is protected by a preservation order, now houses the Junghans Terrace Museum. Over 300 exhibits tell the story of Black Forest clocks and Junghans, the company that made them, and the region’s then suppliers. The history of Black Forest clocks only comes to a provisional end here. The cuckoo clock still exists and is as popular as ever, thanks to people like Christophe Herr.